HIPHOP.PH
And what makes this shoe great other than having the group’s iconic symbol is that, it is locally made!
For more info, you can check out Label’s official site.
Title: Bukas Uulan ng Mga Bara
Artist: Kemikal Ali and DJ Arbie Won
Year: 2018
Label: Uprising
One of the most prolific MCs in Pinoy Hip-Hop and a member of BB Clan, Kemikal Ali teams up with DJ Arbie Won aka. The Beat Traveller and produced this classic collaboration album.
Bukas Uulan ng Mga Bara (BUNMB) was released back in 2018 under Uprising Records, Philippines.
Bukas Uulan ng Mga Bara has 15 tracks of pure Pinoy Hip-Hop!
“Mahalaga parin kumilos kapatid; Pag dating sa dulo may magandang kapalit”
Kemikal Ali – OTW Na
Kemikal Ali’s lyrical mastery, combined with DJ Arbie Won’s turntable skills and beatmaking supremacy made BUNMB the definitely Pinoy Hip-Hop album!
Seriously this is one of the best Pinoy Hip-Hop albums EVER if not the best. And there are times that I even rank this over Francis M.’s iconic album, Rap is Francism which to me has been my no.1 Pinoy Hip-Hop album ever since its release.
I really enjoyed listening to Kemikal Ali’s lyrics and punch-lines and he delivered them very well. And DJ Arbie Won’s production matched Ali’s flow.
My top 3 favorites are “Lumang Dialekto”, “F Na F” and “OTW Na”. Though I liked every track in this album and are iconic in its own right.
Though I found a few disappointments in this album such the skit at the beginning of “Panalo Bigayan” featuring Klutch B.. Some listeners prefer skipping this skit and forward straight to the track. Another is “Bolo Brigade” and while I really like the collaboration, the beat for this track was fine but unfortunately, did not match some of the flows of its guest artists. Though ironically, Bambu being a special feature for this track had the most number of profanity in its lyrics while Kemikal Ali himself expressed little if not, no profanity.
“Mr. Chairman” was also one of the most powerful tracks in this album and could have been longer. And this is the one track where Kemikal Ali expressed his strongest delivery.
But overall, BUNMB is still a Pinoy Hip-Hop masterpiece and well deserves getting the highest score!
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Favorite track: “Lumang Dialekto”
Least favorite track: “Bolo Brigade”
Overall Review: 5/5
Title: Fatigue
Artist: Assembly Generals
Year: 2019
Label: Locked Down Entertainment
Released back in 2019 under Locked Down Entertainment, Fatigue is the second studio album coming from the hip-hop fusion band, Assembly Generals.
The group is composed of MCs, Swtichtrik and Peaceful Gemini, Plus Jigger Divina on the turntables, Ray Marasigan on drums and is produced by Mon Punzalan.
There are a total of twelve tracks in Fatigue with seven tracks of full abstract hip-hop music, one “fusion music” while the rest are composed of interludes.
The album starts with “Taro-San”, which is more a live announcement recording and then shifts to “Kulog”, a socially conscious track that was created to “wake up” people who remain ignorant from the various problems and issues facing human kind.
But again, most if not all tracks in this album are socially conscious and are spreading awareness on the problems and various issues related to society.
Take the English language track, “Roulette” for example. It deals with people choosing the wrong paths in life, the fatal consequence they face in making such choice and ultimately, us being the reason for their demise. Another is the upbeat sounding track, “Ligaw” which is my favorite track in the entire album. In “Ligaw”, the group questions the listener why society is stuck in that “circle” and preventing from moving “forward” for betterment.
“Naiwan sa kahapon at hindi na umabante; umaasa sa wala panay reklamo ng maarte”
Assembly Generals – Kulog
Assembly Generals’ second studio album did its part in waking up listeners on the problems of society and encourages them to take action.
Personally, I find Fatigue as a listening experience as it makes you think on the current situation not only The Philippines but the entire planet and make a decision on whether you choose to do something about it or not. Assembly Generals delivered their message as through their socially conscious tracks and is supported by strong beats and production.
Such music is among those contributing to the rise of the so-called “woke culture” especially with today’s generation. But it is still up to the person who agree with the album’s message, disagree with it or continue to remain blind on what is happening around us. Though honestly, the people who choose the latter have nothing to loose as there are people out there who both mind and continue their own business and not be affected with the issues dealt in this album.
While Assembly Generals are questioning the listener, I have a question for the group and is more what they want to happen with society and our future?
Certainly we do not live in a perfect society and even with strong conscious message and spreading awareness, as I said earlier that people still have the choice to doubt and disagree.
Another criticism I find with this album is in the track, “Roulette”. This is arguably the most powerful track in Fatigue especially when it comes to the theme and subject matter. And while the group conveyed their message well, I still think that flow and delivery for this track needs some refinement. I”m not going to be biased with language though I still think that if the lyrics were done in Tagalog, the track would possibly reach a wider audience, Philippine-wise. Though using English is fine as well and as with the said language, I will compare with Mastaplann’s “Fix Da World Up” which is also a socially conscious track though its subject matter is not as deep as “Roulette”. Both Tracer and Type had a decent flow in “Fix Da World Up”. Switchtrik’s flow in “Roulette” can still improve and create an updated version.
Overall, Fatigue is an album that is worth listening to and is among taking Pinoy Hip-Hop music to the next level.
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Favorite track: “Ligaw”
Least Favorite track: “Hands Off”
Overall Review: 4.5/5
Title: Kawago Reunited 2.0
Artist: Kawago
Year: 2018
Label: Be Original Music
After a decade of hiatus, Kawago one of the most popular Pinoy Rap groups reunited and released their 2018 third studio album and first extended play, Kawago Reunited 2.0.
The group is still composed of its original members, Zhatto, Duff Uno and Sneaky and while they are older and more matured, their style of music has remained the same.
But it’s great that Kawago has reunited and I appreciate that they made the effort of releasing new material.
As this is an EP album, Kawago Reunited 2.0 is only composed of seven tracks.
The majority of the tracks have the usual novelty theme mainly dealing with romance, dating and expression of love, so I will not break it down individually unlike some of the albums I’ve reviewed in this site.
“Mapapatawad pa ba mahal kong sinta; Hindi ko na kayang ikaw ay wala”
Kawago – Patawarin Mo
Kawago’s third studio album still provided some pleasant listening despite its masa / novelty theme. And their music is a bit evolved unlike their previous albums.
Honestly, I more enjoyed listening through the latter part of the album starting with the remake of “Kailanman” as overall, they are a bit more refined compared to the first three tracks. I somewhat enjoyed listening to “Kailanman” as I really appreciate the original Japanese track, “Saigo no Iiwake (ęå¾ć®čØćčس)” by Hideaki Tokunaga and covered by numerous Pinoy Pop artists such as Ted Ito as with the track, “Ikaw Pa Rin”.
And with Kawago, they sampled this track and fused rap music with it.
Other than that, I cannot find any more significance with this album.
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Favorite track: “Kailanman”
Least Favorite track: “Can’t Buy Me Love”
Overall Review: 3.5/5
Title: Puro EP
Artist: Teknika Brutal
Year: 2020
Label: Uprising
Teknika Brutal is a four man group composed of MCs, Apoc aka. Arkitekto, Batas plus producers KMG and DJ Arthug, the latter providing scratches and mix.
Under Uprising, the group released their first EP studio album, Puro EP back in 2020.
This is one raw hip-hop album and except alot of scratches and hard lyrical flow plus delivery.
Puro EP has a total of eight tracks. The album starts with “Silab”, which is a fine DJ showcase introducing the members of the group and is accompanied by a hard grimy beat and loads of scratches. Such showcase by DJ Arthug is followed through the interlude track, “Teknikamot”
Most tracks in Puro EP are mainly spoken word, exchanging lyrical skills between Batas and Apoc notably in the track, “Sabi Daw Nila”. Much of the subject matter in this album varies and are based on personal thoughts and experiences.
“Ang salita kutsilyong nakakahiwa nag dedepende ang hapde sa talas ng dila”
Teknika Brutal – Maling Akala
With Puro EP, Teknika Brutal delivered a raw and hard hip-hop sound, defining what Pinoy Hip-Hop should be. I like the lyrical exchange between Batas and Apoc plus the beats in this album are “strong” ranging from hard to melodic. What more the numerous turntable scratches in many of its tracks.
The only drawback that I found with this album is through the track, “Labi”, honestly the woman’s background vocals tends to be a bit distracting especially when you want to listen to the verses itself.
But still, Puro EP remains to be one of my favorite Pinoy Hip-Hop albums and also my second favorite for 2020 next to Illustrado’s Hanggang Kamtayan: Ngayon at Bukas double LP, the latter also produced by Uprising and includes Batas.
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Favorite track: “Maling Akala”
Least Favorite track: “Purista”
Overall Review: 4.5/5
Written by Webmasta! (6/16/2021)
While such isn’t a big deal for The Pinoy Hip-Hop community as a whole, I’ve always have issue with this term especially when promoting our country’s hip-hop in the global scene.
And there are many hip-hop heads around the country who prefer using the term, OPM Hip-Hop / OPM Rap instead of Pinoy Hip-Hop / Pinoy Rap or Filipino Hip-Hop / Filipino Rap when describing hip-hop music and culture in The Philippines.
Most if not all Filipinos know that OPM stands for Original Pilipino Music. And OPM Hip-Hop is short of Original Pinoy Music Hip-Hop. But again, try to describe that to a non-Filipino and you will get response such as, “what the fuck is OPM?”
That’s why I still prefer the term, Pinoy Hip-Hop or Filipino Hip-Hop as the people of The Philippines are called Filipinos and that the colloquial term for Filipino is Pinoy. Hip-Hop is a street / urban culture so Pinoy Hip-Hop is a more suitable and acceptable.
Title: Realistick
Artist: Stick Figgas
Year: 2018
Label: MCA Music Inc.
The second studio album released by the hip-hop duo, Stick Figgas. Both Loonie and Ron Henley are still present, but are joined by musicians of different genres such as singer, Kat Kat Agarrado of both Passage and SinoSiKat, Tuts Calinawan on bass guitar and many others.
As with the addition of new members, the group evolved from pure hip-hop to a more full fledged “fusion” band.
On the personal side, reviewing this album will be somewhat of a challenge as I have been used to the usual “hip-hop” albums and this one will be different as the entire tracklist is heavy on live instrumentals, something that I’m not that familiar with.
Realistick has a total of nine tracks of hip-hop fusion. The entire album contain live instrumentals, providing the background music for both Loonie and Ron Henley. Here’s a breakdown,
“Di na pwede yung tulad ng dating puro na lang oo; Uulitin lang kung ano itinuro parang loro”
Stick Figgas – Lamanloob
Pinoy Hip-Hop heads will have mixed reactions with both Stick Figgas’ second studio album and its evolution to a fusion band. Some accept the change while others still prefer the usual hip-hop music with beats containing samples of various tracks.
Honestly, I still find it a welcoming development that despite the presence of live instruments, the hip-hop element is still there. Both MCs, Loonie and Ron Henley still expressed strong lyrics, thought and subject matter.
Overall, Realistick delivered and is an example of how various genres are fused to create some good music.
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Favorite track: “Parisukat”
Least Favorite track: “Hiram”
Overall Review: 4/5
Title: Man From Tundo
Artist: Third Flo’
Year: 2021
Label: 727 Entertainment
The first album review under HIPHOP.PH! Man From Tundo is the second studio album from Third Flo’, released 2021 under 727 Entertainment.
This is coming from the rap artist that brought us the iconic hood track, “Territoryo” in which he raps about life and the people of his gritty Manila neighborhood, Tondo. But with his second album, Third Flo’ brought in a more “trap” style combined with some lo-fi elements. Many tracks in this album tend to have a relaxed sounding vibe despite the intense lyrics of the artist.
Third Flo’s second studio album has a total of 11 track of pure Pinoy Rap music.
As with Man From Tundo, Third Flo’ expresses his dedication and passion for rap music plus his purpose of being a rap artist as with his first two tracks, “Basta Rap” and “Para sa Wala Lang”. He also express his lyrical skills over number of bars with the track, “MFT 16bars”, and gratitude with “Blessed” featuring The 727 Clique.
In addition, Third Flo’ expresses stories of hood life both his personal experience and that of others in tracks such as “Still Mobbin'”, “Naka Mio”, and “Kumakayod”. And goes to lyrical expression, bars or spoken-word with the tracks, “DMDK”, “Say Hello”, and “Alam Mo Na”, featuring collaborations with Pinoy Rap artists and groups such as Josh Papers and Tondo Boyz.
The album ends with “FTW”, expressing his willingness to “wiiiin” the rap game.
Third Flo’s lyrical skills won his second album, a 4/5!
He expressed strong rhymes, flow and delivery, but also many of his tracks are short usually around 2-3 minutes and his lyrics / verses can become too repetitive, mainly at the beginning of the track and the chorus. And while I understand that such is common in trap music, Third Flo’ could have expressed less repetition just like how Kemikal Ali expressed a wide variety of verses with his trap track, “Rekta Sa Kalye” and delivered it very well, limiting such repetition on the chorus.
Honestly from a personal perspective, Third Flo, is better off exploring the style that he used for “Territoryo” or “Bomba” which to me are his two most powerful tracks. The closest of such style in this album is, “Still Mobbin'”.
As for the beats, they are mainly trap style though some tracks with have a slightly grimy feel to it such as “DMDK” or “Naku Mio” for example.
Overall, Third Flo still delivered a good album and it is worth checking out.
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Favorite track: “Still Mobbin'”
Least Favorite track: “Blessed”
Overall Review: 4/5
Decided to pay a visit to The Kruzzada Clothing Shop last Monday. This is joint shop with Sean Moto Paint and is located at 680 Sta.Lucia St. corner Lourdes St., San Antonio Valley 1 in Sucat ParaƱaque, right close to The ParaƱaque City Hall and behind Puregold.
The shop sells both Kruzzada and Dongalo Clothing so this is the place to go for related apparel.
May 28 has been declared as National Flag Day as this is the date when The National Emblem was unfurled. This was also the date when Spanish Forces were defeated by The Philippine Revolutionary Army during The Battle at Alapan, fought in Imus, Cavite back in 1898.
The Late King of Pinoy Rap, Francis Magalona expressed his sense of nationalism and even educating us on our National Flag and its symbols as with his iconic 2001 track, “Watawat”.